Wow, I enjoyed writing this book. It’s been 20 years, but I still love it. Solomon gets to work.

The introductions were worth the effort. He’d slept on the plane, so was reasonably fresh, and adrenalin-assisted by the new environment. He hadn’t been outside the States before, and it was all interesting, which obviously helped.
Sol’s accent was a good excuse for taking a few pot shots at Al.
“See,” explained Carla , “this is a real American accent. To think we’ve been getting this-this forgery!”
“Be you a-sayin’ that us Midwesterners don’t done talk proper nohow, missy?”
“Yair. Yer don’t been had ter talk per-culiar like that.”
“This is a New York accent. It can open tins of tuna and do accountancy, and cause epidemics,” explained Solomon.
“Sort of a Swiss Army accent,” said Joe.
“I thought Aussie all talked like Mel Gibson,” said Sol, not at all subtly.
“Well, most of us are taller,” said Bill.
“Real Aussie is more fluent, like, “G’dayairgundidyerseethatfingonSaddy?,” said Felicity. “Meaning, “Good day, how are you going did you see that thing on Saturday?”
“It can also mean “Is your duck celibate?” or “How is the cow’s acting class?” depending on whom you happen to be talking to,” added Joe.
“Conversation not limited by mere context,” said Solomon.
“Major social issue, in Australia, the terrible possibility that people might one day find out what they’re talking about. We’ve been working for 200 years to ensure that it never happens.”
“They even imported me,” said Al, benevolently.
“Things were tough,” explained Bill.
It was decided that since Solomon’s specialty at the moment was copy, he’d work with Felicity, and he could follow his stuff about as it went down the production line. He’d brought some of his material, and it was read with interest by all concerned. Somehow it had turned into a job interview, if a very friendly one, Al noted, apparently because Solomon wanted to be accepted on his merits, not his family relationships. Joe had obviously picked up that angle himself, and was looking approvingly at something which he passed to Al:
“Why spend the day setting fire to your leftover clients when they die of starvation trying to contact you and leave a smelly heap in the reception area?
We do a range of customer service initiatives which will allow you, and them, to do business and be alive at the same time. No more messy answering services and idiotic jingles. No more long distance séances with someone on a help desk in another country, however plausibly sane. Nobody gets paid to wait for things. We’re Wildcard Services, and we do mean business.”
“I think Sol’s going to fit in nicely,” said Bill.
It turned out later that Wildcard Services were livid that Solomon wasn’t going to be writing their copy and went elsewhere…..to David.
Solomon’s first challenge was also the first government work the agency had ever handled, a road safety campaign. Al, whose experience with US government agencies had varied from operatic levels of production to mass media based yodelings of pure ineptitude, was wary until convinced by the others that this was different. They explained that road safety was an area that the most hopeless of bureaucratic budgerigars could at least understand.
The government rep, Susan, was obviously not one of the terminally despairing variety of administrators that goes to work hoping one day to see something done properly. She was glued to her subject, and managed to get through the entire briefing without once descending to the banal. The problem was the fact that drivers aged under 25 were the main demographic for fatalities on Australian roads.
They had some mock ups, slogans, and some basic scripts. As advertising they were OK, but toothless. One, Grow Up! was sharp, but patronizing, and another, It’s Your Future, looked like a committee effort, and was too nondescript; it could have been about anything. The visual material was graphic, pictures of cars, shocked survivors, grim, really, but also within the band of forgettable. Al had seen a lot of stuff like this, and he did know what he thought. Susan looked at him hopefully. This wasn’t likely to be easy, but it had to be said.
“Ah, Susan, this stuff is OK, but it won’t work. I know it’s what’s called acceptable levels of shock value, but it’s like an action movie; see enough of it and you get case-hardened, you can’t find any more novelty in it after a while.”
He looked at her carefully, looking for the surefire, selfish, defensive, reaction that meant he was talking to a definite idiot. No; she was listening. Greatly relieved, he continued:
“I have an idea which we’ll get together for you at no cost to your agency, to show you what I mean. We can do the other stuff for you, any time, but my instincts are against it. This’ll only take a couple of days to put together, you wanna wait and see it?”
To a government rep, this question meant, “Do you have the final decision about this, and are you prepared to listen to options?”, which is like for proof of identity. Susan, to her credit, instantly agreed.
“Yeah…no cost, nobody’s going to bitch about that…..we do have time, and I agree that there is a sort of “seen this before” element to this material. We’ve done a few of these campaigns, and the results haven’t been encouraging. The teenagers in particular aren’t at all impressed.”
Bill commented, “They don’t like being treated like idiots. Never fails with any kid, talk down to them and you’ve lost them. This sort of thing really needs them talking to them.”
“Telling them not to do something is like giving them a written request to do it,” said Felicity.
Solomon emerged from wherever he was under that expression of intense interest.
“In the States you don’t try that sort of parental guidance routine, because it’s just too uncool. The market demands macho. You can’t be a pseudo gangster and a defensive driver. You’d have no sex life at all…..”
“So you have sex with roadkills?” asked Felicity.
“If they were in that demographic, yeah,” explained Solomon.
“Ah.”
They paused for Susan to stop laughing, which took a couple of minutes. As she left, Al handed Felicity and Solomon a handwritten sketch for what he wanted done. Joe received a storyline for graphics, and Bill a note.
Scene 1 : (Silent) A living room, a couple of male teenagers walk through, as parents and guests talk. Father throws car keys at one of them. They walk out into the front yard where a little girl is playing basketball with a ball about the same size as she is. One of the boys grabs the ball and plays keepings off for a few seconds, making the little girl laugh. They drive off.
Scene 2 : (Silent) Two police arrive at the door. (Pan to father’s face, bleak, empty). (Pan to mother’s face, horrified, distraught). One of the police notices the little girl, standing still with her ball looking at them as they leave, and winces.
Scene 3 : (Sound) Hospital ward, some young people are visiting one of the boys. All are quiet but:
One asks, “How yer going, John?”
John: “Been better, mate. (Grimaces) Jim didn’t make it.”
(Pans to picture of John, leg missing, eye covered, both arms in plaster, bandages on head).
YELLOW CAPTION (silent) IT’S NOT DYING YOU HAVE TO WORRY ABOUT.
Scene 4 : (Silent) The little girl stands alone in her front yard.
Scene 4 was Solomon’s idea.
